Free Creative Writing About Getty Museum
The Imagination Set Ablaze, 1834 by JMW Turner
The Imagination Set a Blaze is a display of some of the extraordinary watercolor sketches of the burning of the Houses of Parliament in 1834 by JMW Turner. This form of art is one of the best collections among many of this remarkable artist. On October 16th, 1834, at around 6pm, the Britain houses of parliament caught fire, burned and turned the admirable place into a zone of ashes. As the blaze spread through to the House of Commons, thousands of onlookers took the opportunity to witness the destruction of the political and historical symbolic building. JMW Turner was among them and surprisingly as the house was burning, so too was his imagination.
Turner took a different approach when applying the watercolors. He ensured that the raw energy of the parliamentary building was clear. He used golden yellow color at the burning of the house of parliament, brown color to represent the awestruck crowd who were continuously engaged to combat the blaze. In the sky, he represented a black color that accompanied the smoke. He further uses alternative perspectives to represent distance and proximity. This watercolor technique depicts different points in Turner fascination wit the subject. The trend clearly indicates his masterful and versatile manipulation of the art form in the process.
` The Burning of the British parliament occurred at a time when the parliamentary system was under pressure to evolve and deliver the greater demands of modern society. This pressure resulted in the passing of the Great Reform Act 1832. Turner used the fire symbolic potential to draw the subject. In the most skillful manner, he combined the ingredients of dark, light and vibrant color to deliver his message. The work that he produced portrays his skillful engagement with the subject to make it creative for his vast audience. This technique is best seen in his combination of the best watercolors that match the occasion.
A river Among the Mountains, 1600 by Imitator of Pieter Bruegel, the Elder
A river among the mountains is regarded as one of the impressionist works of arts that represented pure landscape without any religious content in 1600. The piece of art was done by an imitator of Pieter Bruegel, the Elder. The painter used oil on poplar to produce this piece of work. In his quest the artist aimed at creating his subject of the flowing river using a variety of colors.
In comparison to Turner`s paintings, these two artist are exceptionally interested in the issues concerning the landscape. They both take the open-ended form of paintings to reveal the in-depth issues concerning their subjects. However, contrary to Turner who uses a mixture of colors to represent most of its images, the imitator used distinct forms of transparent colors. He used silver colors to represent the mountains, dark green color to represent the ground and a bluish color to represent the river and the cloud. This form of combination enables him to explore the nature. Turner in his work is believed to be influenced to modify these kinds of work to represent an imagination and not an actual figure.
In conclusion, a river among the mountains picture encourages people to love nature. The painting does not have any moral lesson as compared to the Turner`s work. Contrary, it is a form of decoration that can help anyone to appreciate nature.
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