In the final section of this play, there is symmetry between the first and the second set of forsaking friends. There is a great feel of dramatic irony that is created; the reader or the audience understands that beauty, strength and discretion will leave Everyman the way his false friends did earlier. Notably, the two numbers of lines taken up by the existing friend sets is approximately the same. The initiatory set of false friends like goods, fellowship, cousin and kindred were external things to Everyman while the second set friends that are false are aspects internally of Everyman Continue reading...