Good How Did The Futurama Encourage Visitors’ Emotional Literature Review Example

HOW DID THE FUTURAMA ENCOURAGE VISITORS’ EMOTIONAL

INVESTMENT WITH ITS PARTICULAR VISION OF PROGRESS
Reading Response on Futurama
The Futurama holds a vision of progress in many aspects, which was able to encourage both the spectators and the visitors’ emotional investment. In these articles, we discussed how such Futurama concept was able to provide such vision based on these reviewed literature.
Architectural design is an advantage so as to attract the visitors’ attention. This claim is evident when General Motors’ (GM) Futurama creator, Bel Geddes developed a corporate exhibit. Based on his design, he created a scale model of a big city of St. Louis, in contrast with its former status as an old city. It contains a futuristic architecture to which the viewers on their moving chairs were interested as they stood up and became part of the amazed crowd. Due to his futuristic design, Geddes was able to encourage the factory visitors’ emotional investment. Furthermore, Robert Rydell say that Geddes was also able to not just get the emotional investment of the spectators, but also to divert their attention form social problems such as poverty, nuclear conflict and others through watching models wearing new American clothing trends, which was held on one of Geddes’ architectural designed American Pavilion. The idea of Futurama was so significant in terms of attaining the spectators’ emotional investment as the success of his architectural designs will start from presentation towards building the design.
Encouraging an emotional investment may be challenging at first, but once a person is able to present his ideas, positive outcomes will arise. Similar to what Norman Geddes’ principle that states many people will not find a solution to a problem not until they are able to see the ways of solving it.

BIBLIOGRAPHY

Marchand, Roland. "The Designers Go to the Fair II: Normal Bel Geddes, The General Motors "Futurama", and the Visit to the Factory Transformed." Design Issues 8, no. 2 (Spring 1992): 22-40.
O'Connor, Francis V. Dawn of a New Day, The New York World's Fair, 1939/40. New York: New York University Press, 1980.
Rydell, Robert W. World of Fairs: The Century-of-Progress Expositions. Chicago, Ill: University of Chicago Press, 1993.