Reading Response: Bauhaus Manifesto Literature Review Examples

Walter Gropius produced this manifesto. Its purpose was to influence design and artistic practices in art and architecture with a focus in the romantic medieval past used as a model of transformation in the contemporary visual culture. An issue of concern is the achievements of the manifesto in defining a new dispensation in a guild of craftsmen. Did the Bauhaus manifesto achieve its goal?
The manifesto’s principle is described as a utopian proclamation since it avoided futuristic architectural ideologies common in the German avant-garde (Walter p. 18). It is evident that the manifesto fails to capture innovative ideas since it has strong links to medieval churches. For example, the first woodcut currently made was linked to the fourteenth century Gothic Church found in the Baltic village of Zirchow. The main argument that remains is that; did the manifesto bring new ideas on the artistic scene as it proclaims?
In reality, the manifesto fails to capture innovative ideas as projected. The architectural spirit manifested still originated from old roots. Despite a cut down by Feininger depicts that the Bauhaus Manifesto remains to be termed as “hardly knew” (Walter p. 19). This is a critical analysis with a rhetorical approach to the Bauhaus Manifesto.
According to the article, it is evident that the manifesto does not comply with its goal of reuniting and collectively conceiving and creating new architectural craftsmen and rise to the heavenly heights as proclaimed. The manifesto lacks innovation, new skills and interpretation, relying on the medieval techniques of art.

Questions of concern raised are;

Why is the manifesto referred to as unique?
How will it achieve its mission of reuniting architectural skills and develop new innovative ones?
The manifesto has the capacity of reuniting the medieval artistic techniques provided that it provides new and innovative ideas. Thence, it will achieve its utopian dream.

Works Cited

Walter, Gropius. The Theory and Organization of the Bauhaus. New York: The Museum of Modern Art, 1938. Print.