The main topic the article discusses is the white cube as the art worlds’ attitude toward art. The author starts with the history where she explains thus defines how was the “white cube” eventually designated. The author begins with New York where in 1929 in the local Modern Art’s Museum an arrangement strategy was imagined by Jr. Barr Alfred after he attended the Museum Folkwang in Essen. The author adds that “ Lighter became the walls on shores of America upon arriving moreover after the years became even whiter, cloth of monk of beige-color was moved to completely white Continue reading...