Free Ancient Art Essay Example
Type of paper: Essay
Topic: Art, Sculpture, Rome, Time, History, Artists, Exhibition, Body Language
Pages: 2
Words: 550
Published: 2021/02/22
The proposed mini exhibition will center on ancient art found in the Rome and Greece. The true artist came from the area. History dates that the civilization of man began in the Rome hence their advancement of art in the area. The rulers of the time appreciated the art built regardless of its structure. The artist was strict on the appearance and representation of the sculpture. Their attention to detail makes them unique and interesting. Every art form has a history behind it and a reason for its creation. The three arts picked have a rich history of some of the great arts of the time. Apart from that, it shows the significance of other art forms.
The Lansdowne Herakles is the centerpiece of the mini exhibition. It is a sculpture of a Greek god with a club in his hands. On his right hand, he has the skin of a lion. It gives a glimpse of what the man could be. He seems like a hunter or a strong man. During the time, there were stories of the infamous Hercules, who was the strongest man during the time. Artists loved to depict him in other art forms; depicting his strength among other forms. The sculpture dates back to 125 A.D. The sculpture’s creator was J. Paul Getty. It was the most valuable possession he had at the time. It is from the sculpture that he built a museum in an Ancient Roman kind of a villa. The sculpture was found in the 1790 in Tivoli, Italy near the Roman emperor’s villa. The statue underwent restoration by Varlo Albacini, a renowned restorer.
The next sculpture in the mini-exhibition is the Apoxyomenos, a copy of the Roman’s Lysippos. The real sculpture is made out of bronze but went missing with time. The sculpture looks similar to Lansdowne though Apoxyomenos lacks any special power in him other than he was an athlete. The sculpture’s original date is 340 B.C. the sculpture shows how youth clean themselves with a curved scraper. After cleaning, they apply oil to stay smooth. It represents the nature of youths at the time and how clean they were. However, it depicts more of the rich people since thy can afford to shower and oil themselves. The poor people had to do with simple baths since they could not afford the luxury. The new scripture has a few changes in the proportion of the boys. It has a ratio of 1:8 while the previous had 1:7. The sculpture’s design gives a view of how they used to bath and how important it was to them.
The final sculpture is the Doryphoros. It dates back to the 440 B.C also known as the high classical period. The artist behind the art is Polykleitos. The sculpture sits on one side of the leg making a pose called Contrapposto or the Chiatic pose. The pose shows a relaxation of the arm and a tensed leg. The body’s proportion is 1:7, similar to Apoxyomenos. Before the change of ratio, sculptures made art forms in the ratio of 1:6 but it did not depict the human being proportions. The use of mathematics in sculpture creation helped the artists to come up with ideal proportions and enhance the ideal beauty. The three sculptures depict the ideal art forms found in Ancient Rome and how each represented individual meanings and forms.
The reason for choosing the artworks for the exhibition was to showcase the fine detail of ancient Rome structures. The Roman artist took into effect all the proportions of a human body for their artwork. In regards to Lansdowne, the structure’s pose shows a relaxed and courageous being; how a confident person would look like. The three structures pose strength of men in high positions like athletics, warriors and physique. The structures carry the theme of the exhibition; attention and detail. Apart from that, the artworks represent the old times of art before painting. It will inspire people to go back to the roots and try out sculpture art; an art that people do not like going into because of its time consumption.
Works Cited
Apoxyomenos. 2014. Web. 14 April 2015. < http://mv.vatican.va/3_EN/pages/x-Schede/MPCs/MPCs_Sala01_01.html >
The Doryphoros. 28 February 2009. Web. 15 April 2015. < http://www.artsconnected.org/resource/5851/the-doryphoros >
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