In the preface to The Picture of Dorian Gray Oscar Wilde writes “The moral life of man forms part of the subject-matter of the artist, but the morality of art consists in the perfect use of an imperfect medium” (1). What makes this statement both a statement about art, and also a statement about the novel is that Wilde cuts away from the static notion that the beautiful must be an ideal form of beauty. Pre-Raphaelite beauty was indeed inspired by an infantile longing for an earthly garden of Eden. Oscar Wilde has eaten of the apple and is Continue reading...